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Coaster Triptych
#1

Here's something that I have in mind as a possible "fine art" print, to be sold as a set of three and matted roughly like this:

[Image: 1238520830_u2SL9-L.jpg]
(slightly larger)

I have some others that I can use as singles as well.

Any and all thoughts, feedback, and to-shreds-ripping will be appreciated.

matthewpiers.com • @matthewpiers | robertsonphoto.blogspot.com | @thewsreviews • thewsreviews.com
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#2

I don't really see any reason to rip it up. Its a good solid effort. Great color. Composition across the 3 frames is excellent with the first frame leading the viewer into the complexity, and the final frame "capping" the photo - and spinning the viewer back into it again rather than letting him go. All the blue metal is within the boundaries of the red and the 3 frames hang together very well. First class effort, I would say.

If I had any quibble, it would be that the blue in the center frame doesn't quite match the other 2 frames. I like the gradient, but it might link it somewhat better if the darkest blue in the gradient matched the blue in other 2 frames exactly. That would tie it all together just that little bit better.

Triptychs are very commercially desirable in the photo fine art world as well.
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#3

Thanks Rob, I agree about the blues not matching and will certainly fix that when I do my higher-resolution scans. I'm trying to decide which tones I'll try to keep, whether its the more saturated sky with less differentiation of the supports that I see in the side photos, or the darker supports with the paler sky of the central image. The three photos have to match, but I like both renderings.

When I'm looking at these three together I have to remind myself that the middle photo is the same size as the ends. I perceive the lighter colour as being a slightly smaller square…

matthewpiers.com • @matthewpiers | robertsonphoto.blogspot.com | @thewsreviews • thewsreviews.com
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#4

I like it, and have the same comment on the middle blue. How's it look in Mono?
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#5

If the two outer ones have drop shadows, then the centre one need not be smaller. But it will look farther away. Maybe. :/

Lumix LX5.
Canon 350 D.+ 18-55 Kit lens + Tamron 70-300 macro. + Canon 50mm f1.8 + Manfrotto tripod, in bag.
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#6

[Image: 1240365949_WxqLM-S.jpg] [Image: 1240366490_MmEXF-S.jpg] [Image: 1240366197_8Sup4-S.jpg]

I intentionally used different B&W conversions to get a sampling of different looks, and I have to say that none of them grab me. But I frequently suffer from an inability to imagine things being different from how I first saw them.

matthewpiers.com • @matthewpiers | robertsonphoto.blogspot.com | @thewsreviews • thewsreviews.com
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#7

I think these lose for not having the color.
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#8

I have to agree.

I've tried converting some other images into B&W – mostly ones that have some serious colour balance issues. Perhaps unsurprisingly, I haven't really liked those in mono, either. But I need to figure out if it's that I don't like the colour to B&W conversion from film, or if it's simply a matter of GI-GO.

I need to get this figured out before the next trip so that I bring the right film types, but perhaps 120 and 135 formats aren't similar enough that I can draw comparisons. Time to go through the archives, I suppose.

matthewpiers.com • @matthewpiers | robertsonphoto.blogspot.com | @thewsreviews • thewsreviews.com
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