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Nikon D3100 with Tokina 28-70mm f3.5, (I like to use a Vivitar .43x aux on the 28-70mm Tokina), Nikkor 10.5 mm fisheye, Quanteray 70-300mm f4.5, ProOptic 500 mm f6.3 mirror lens. http://donschaefferphoto.blogspot.com/
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Bravo Don. I use a 50mm almost exclusively these days. Its the "prince" of focal lengths.
I'm glad to see that you no longer consider the 50mm focal length to be "uninspiring" as you did in February...
http://www.shuttertalk.com/forums/showth...m#pid79637
(This post was last modified: May 10, 2012, 14:26 by Toad.)
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(May 10, 2012, 14:15)Toad Wrote: Bravo Don. I use a 50mm almost exclusively these days. Its the "prince" of focal lengths.
I'm glad to see that you no longer consider the 50mm focal length to be "uninspiring" as you did in February...
http://www.shuttertalk.com/forums/showth...m#pid79637
I am now looking at it as a 75mm lens. It's very sharp and fast (and light).
Nikon D3100 with Tokina 28-70mm f3.5, (I like to use a Vivitar .43x aux on the 28-70mm Tokina), Nikkor 10.5 mm fisheye, Quanteray 70-300mm f4.5, ProOptic 500 mm f6.3 mirror lens. http://donschaefferphoto.blogspot.com/
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(May 10, 2012, 14:27)Don Schaeffer Wrote: I am now looking at it as a 75mm lens. It's very sharp and fast (and light).
Well, it has a 75mm "crop" - but the character and point of view of the lens is all '50...
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(May 10, 2012, 20:53)Toad Wrote: (May 10, 2012, 14:27)Don Schaeffer Wrote: I am now looking at it as a 75mm lens. It's very sharp and fast (and light).
Well, it has a 75mm "crop" - but the character and point of view of the lens is all '50...
What do you mean by character and point of view?
Nikon D3100 with Tokina 28-70mm f3.5, (I like to use a Vivitar .43x aux on the 28-70mm Tokina), Nikkor 10.5 mm fisheye, Quanteray 70-300mm f4.5, ProOptic 500 mm f6.3 mirror lens. http://donschaefferphoto.blogspot.com/
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A telephoto is characterized by a foreshortened perspective and shallow depth of field. A wide angle is characterized by perspective distortion (a fisheye has a lot - less wide lenses have a little) and a wider depth of field. A 50mm lens is characterized by a more "natural" perspective in that it isn't much distorted or foreshortened.
When you put a full frame lens like your Nikkor 50 on a camera with a smaller sensor, only the center part of your lens is delivering light to the sensor. it amounts to the same thing as cropping a piece out of the center of your photo. The reach of the lens becomes similar to a 75mm telephoto, but the perspective and character of the 50 stay exactly the same as they were. The lens does not take on the foreshortening and shallow depth of field of a real 75mm.
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Very interesting--and true. Thanks Toad
Nikon D3100 with Tokina 28-70mm f3.5, (I like to use a Vivitar .43x aux on the 28-70mm Tokina), Nikkor 10.5 mm fisheye, Quanteray 70-300mm f4.5, ProOptic 500 mm f6.3 mirror lens. http://donschaefferphoto.blogspot.com/
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