Oct 30, 2010, 16:44
This is my favourite shot from Florence(that particular gallery is here if you fancy a look at the rest).
Using the Zeiss Distagon 21mm f2.8, the very odd EXIF is 1/99sec atf9.9, shooting contrejour in shifting light.
The man himself was dodgy seller of dodgy goods, who kept flitting away when he saw my camera....but the joy of wideangle allowed me to nab him at the same time as he thought I was shooting something else!
It was a long wait to get this shot, as the place was heaving with tourists, so I pre-focused with a wide enough aperture as to make use of hyperfocal distance.
I truly do feel that manual wideangle lenses are much easier to use in the field than autofocus: also, depth of field and close-focus distance are much wider on the Zeiss than I used to find with the Canon 16-35mm f2.8 L MkII(just popped that observation in for Chris, if you're about mate!)
In terms of post-processing, I worked from a lo-contrast conversion, darkening the gamma, then adding some diffuse glow in another layer. I erased all but the horizon in the diffused layer. Finally, I duplicated the image as another layer, adding a tad of smart sharpen, again erasing the layer apart from the foreground.
Using the Zeiss Distagon 21mm f2.8, the very odd EXIF is 1/99sec atf9.9, shooting contrejour in shifting light.
The man himself was dodgy seller of dodgy goods, who kept flitting away when he saw my camera....but the joy of wideangle allowed me to nab him at the same time as he thought I was shooting something else!
It was a long wait to get this shot, as the place was heaving with tourists, so I pre-focused with a wide enough aperture as to make use of hyperfocal distance.
I truly do feel that manual wideangle lenses are much easier to use in the field than autofocus: also, depth of field and close-focus distance are much wider on the Zeiss than I used to find with the Canon 16-35mm f2.8 L MkII(just popped that observation in for Chris, if you're about mate!)
In terms of post-processing, I worked from a lo-contrast conversion, darkening the gamma, then adding some diffuse glow in another layer. I erased all but the horizon in the diffused layer. Finally, I duplicated the image as another layer, adding a tad of smart sharpen, again erasing the layer apart from the foreground.
All my stuff is here: www.doverow.com
(Just click on the TOP RIGHT buttons to take you to my Image Galleries or Music Rooms!)
My band TRASHVILLE, in which I'm lead guitarist: http://www.youtube.com/watch?v=Z6mU6qaNx08