Nov 25, 2007, 07:06
After lamely trying to move on from the caressing stage with my new guitar, I've been trying to photo it a few times. I thought I'd share with you some of the ways I got from raw to finished product.
First is the raw-to-jpeg: lighting= desk lamp and tungsten room lights; I threw my denims over the guitar stands for a bluesy theme(just); I used the Canon 10-20mm at 20mm, going for my sharpest aperture of f8; tripod needed, as exposure was around 2 seconds( I had a polariser on...not for any reason...just couldn't be bothered to take it off).
Now, as I don't have patience for set-up shots and prefer pacing around outdoors, I'm aware of how much I stacked against myself here.
That was painful, wasn't it? No sharpening, no treatment of anything at all.
OK, in the finished product I did the following:
1.converted to a tiff, desaturating slightly, increasing gamma a bit and exposure .2; I kept the conversion low contrast as to retain detail; I tried to keep things as 16-bit for as long as possible to retain detail;
2. ran smart sharpen a couple of times at 0.1x500; cropped roughly;
3. smart sharpened again, x100 or so;
4. resized for possible print output size; smart-sharpened again: note the progressive smart-sharpening throughout.
5. dodged (highlight) and burnt (shadow): I had much dodging to do to bring up colour, as I had a few hotspots...I didn't want to blow these out too early, hence the low-contrast start.
Forgot: I increased saturation of blue and cyan by around 20 to bring up me denims!
6. Used a big soft black brush to take out background, distractions and try to con people into thinking this is not Zig's scabby front-room.
7. Used blur tool to smooth out any background; I liked the interesting diffused effect, so worked at keeping it.
8. Used the diffuse glow filter after making sure I didn't need to do anything else major: in other words, I had to get to 8-bit in order to use it(I don't know if you can use it at 16-bit with latest version of PS?)
9. Burnt in a bit of detail around pickups and neck.
10. Did me frame for that poncy torn paper look; added text in 2 layers to get my sig/logo; merged or combined or whatever you call it..."made as one", anyway...
11. Saved a copy for web, resizing and resharpening beforehand(always check for sharpening after resizing, is my motto. One of them anyway.)
First is the raw-to-jpeg: lighting= desk lamp and tungsten room lights; I threw my denims over the guitar stands for a bluesy theme(just); I used the Canon 10-20mm at 20mm, going for my sharpest aperture of f8; tripod needed, as exposure was around 2 seconds( I had a polariser on...not for any reason...just couldn't be bothered to take it off).
Now, as I don't have patience for set-up shots and prefer pacing around outdoors, I'm aware of how much I stacked against myself here.
That was painful, wasn't it? No sharpening, no treatment of anything at all.
OK, in the finished product I did the following:
1.converted to a tiff, desaturating slightly, increasing gamma a bit and exposure .2; I kept the conversion low contrast as to retain detail; I tried to keep things as 16-bit for as long as possible to retain detail;
2. ran smart sharpen a couple of times at 0.1x500; cropped roughly;
3. smart sharpened again, x100 or so;
4. resized for possible print output size; smart-sharpened again: note the progressive smart-sharpening throughout.
5. dodged (highlight) and burnt (shadow): I had much dodging to do to bring up colour, as I had a few hotspots...I didn't want to blow these out too early, hence the low-contrast start.
Forgot: I increased saturation of blue and cyan by around 20 to bring up me denims!
6. Used a big soft black brush to take out background, distractions and try to con people into thinking this is not Zig's scabby front-room.
7. Used blur tool to smooth out any background; I liked the interesting diffused effect, so worked at keeping it.
8. Used the diffuse glow filter after making sure I didn't need to do anything else major: in other words, I had to get to 8-bit in order to use it(I don't know if you can use it at 16-bit with latest version of PS?)
9. Burnt in a bit of detail around pickups and neck.
10. Did me frame for that poncy torn paper look; added text in 2 layers to get my sig/logo; merged or combined or whatever you call it..."made as one", anyway...
11. Saved a copy for web, resizing and resharpening beforehand(always check for sharpening after resizing, is my motto. One of them anyway.)
All my stuff is here: www.doverow.com
(Just click on the TOP RIGHT buttons to take you to my Image Galleries or Music Rooms!)
My band TRASHVILLE, in which I'm lead guitarist: http://www.youtube.com/watch?v=Z6mU6qaNx08